| Ashi | Small pattern of softer steel extending from the ji into the hamon. This pattern in the hamon was to prevent large sections of the cutting edge from being broken off. |
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| Ayasugi | This is a large wavey hada |
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| Bo'Hi | A wide groove or Hi in the blade. Often believed to channel blood from your slain opponent and commonly called a "Blood Groove." The Bo'Hi "groove" is to lighten the blade just as the fuller in a European sword. |
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| Boshi | The rounded hardened edge on the point or Kissaki of the blade. |
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| Choji | Clover or mushroom shaped hamon pattern. |
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| Fuchi | Collar beside the tsuba |
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| Gunome | Semi circular wave shaped hamon. |
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| Ha | The cutting edge of the blade. Also the section that would be sharpened. |
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| Habaki | The metal at the base of the blade that holds the katana in the saya |
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| Habuchi | This is the transitional zone from hard to soft steel or the line defining the edge of the hamon. |
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| Hada | The pattern or grain in the blade that is a result of folding the steel |
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| Hamachi | The notch at the beginning of the cutting edge |
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| Hamon | The line seen between the edge and spine of a blade where the metal is changes hardness. This is typical in Japanese styled blades from the process of differential tempering or hardening. |
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| Hi | A groove in the blade. Often believed to channel blood from your slain opponent and commonly called a "Blood Groove." The Bo'Hi "groove" is to lighten the blade just as the fuller in a European sword. |
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| Horimono | Carving or Engraving in the Blade |
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| Inazuma | Streaks of hardened steel in a vertical zig-zag pattern in the transition zone habuchi. This type of hamon literally means "lightning bolts" |
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| Itame | Wood-like grain in the steel, This type of Hada is similar to the side grain in a block of wood, with irregular rounded shapes. |
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| Ito | silk or cotton hilt wrapping |
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| Ji | The blade surface just above the hamon and below the shinogi |
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| Jihadda | Grain pattern in the Ji |
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| Kashira | Butt cap on the tsuka |
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| Kinsuji | A type of hamon that means "golden lines" |
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| Kissaki | The point or tip of the blade |
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| Koiguchi | The fitting or mouth of the saya |
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| Kurikata | Fitting on the saya for attaching the sageo |
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| Makidome | The final knot securing the tsuka-ito |
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| Mekugi | The peg or pegs that go through the handle and tang of the blade holding the sword together. |
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| Menuki | The ornament under the Ito on the Tsuka |
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| Mune | The back or spine of the blade |
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| Obi | The Belt or Sash worn by the martial artist |
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| Sageo | The cord used for tying the saya to the obi |
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| Same | Rayskin used for covering the tsuka under the Ito |
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| Shinogi | The ridge line defining the Yakiba or edge of the blade |
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| Shinogi-Ji | The flat section just above the Shinogi |
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| Tsuba | The guard on the sword. |
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| Tsuka | The handle or the grip of the sword |
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| Yakiba | The sharpened cutting edge of the blade |
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